My Totally Self-Referential Top 35 of 2016:
1. The thrill of watching Jean Smith paint and sell over 130 stunning paintings.
2. Being happy to read comments on Jean’s paintings:
“Jean I love your paintings and your music has been a deep and powerful guide for me for many years. Thanks so much.”- Molly Zuckerman-Hartung, artist and Adjunct Assistant Professor, Art Institute of Chicago
“Snatch up these beautiful and mysterious paintings by the great Jean Smith!” – Johanna Fateman (Artforum)
3. Two days after Trump is elected, Tobi Vail (on Twitter) selects her Song of the Day: Anguish / Misogyny by Mecca Normal.
4. “Drawn to Change: Graphic Histories of Working-Class Struggle” book officially released with my 12-page comic “The Battle of Ballantyne Pier”. Edited by the Graphic History Collective with a preface by Paul Buhle. Contributors include Sam Bradd, Nicole Marie, Sean Carleton, Robin Folvik, Dale McCartney, Kara Sievewright, and Tania Willard etc…
5. “Someone in Germany just sent me an mp3 of their band covering Mecca Normal’s “Who Told You So” – the first song on our first album. If, in 1986, someone told me that 30 years in the future, this might happen, I would not have believed them!” – Jean Smith
6. Noam Chomsky commenting on Drawn to Change: “This evocative collection of the struggles and achievements of labour organizing should inspire us to “dream of what might be” and to act to bring it about.”
7. Mecca Normal reaching Volume #401 in their collaboration for MAGNET Magazine online and writing several new songs.
8. Designing a poster for the Montreal International Anarchist Theatre Festival.
9. Having two illustrations in The Change Agent #42 (Boston, MA) a social justice magazine.
10. Mecca Normal playing our first show in a while with Michael & the Slumberland Band, Roberts Hall, and The Great Speckled Fritillary at Red Gate Arts Society in Vancouver thanks to Shaun Lee.
11. Celebrating the 10th anniversary of “Roots & Shoots”, a music education outreach program for under-privileged Vancouver area elementary schools that my partner Wendy Atkinson created. Her work has lead to 16,000 students being exposed to diverse music and dance in a concert hall.
12. To start the school year, Ashley Henry, a teacher of grade 8 in Oakland, California orders 10 of my “Inspired Agitators” posters to put up in her classroom (East Bay Innovation Academy).
13. Mecca Normal playing The Toast Collective in Vancouver with Blue Roses (Sydney Hermant and Dan Bejar); Steve Lambke (Constantines); and Forest Tate (Calgary).
14. Finding out “Drawn to Change: Graphic Histories of Working-Class Struggle” is required reading for a course in the Labour Studies Program at Laurentian University (Sudbury, ON) as well as a course on Canadian history (History 1114: Forged in Fire: Canada since 1867) at Kwantlen Polytechnic University.
15. Completing 125 pages of my graphic novel about the last year in the life of activist Emma Goldman.
16. Los Angeles-based Razorcake Magazine’s 7-page interview with Jean (Mecca Normal)
17. Celebrating the 30th anniversary year of BC BookWorld, a publication about books that I have been designing since issue number two.
18. Drawing the cover art for British Columbia History Magazine for an excellent article by Janet Nicol.
19. Mecca Normal’s “Man Thinks Woman” (1987) making the list in Pitchfork‘s “The Story of Feminist Punk in 33 Songs: From Patti Smith to Bikini Kill, the songs that have crushed stereotypes and steered progress”.
20. Giving a lecture at Emily Carr University of Art + Design on my experiences in the collective that produced the international anti-authoritarian newspaper Open Road Newsjournal (1976-1990).
21. Mecca Normal jamming with Jonelle Aspa on drums and Jaclyn Sauer on guitar in Vancouver.
22. Designing two huge banners for the George Woodcock Lifetime Achievement Award and The George Ryga Award for Social Awareness in Literature.
23. “The Julie Ruin Suggests” a 40-song playlist on Spotify includes Mecca Normal’s “I Walk Alone”.
24. Playing guitar for two shows with Wendy Atkinson Experimental Bass Player at BC Buds Festival (Firehall Arts Centre) in Vancouver.
25. The fantastic fun Mecca Normal had on their Pacific Northwest tour with The Julie Ruin (Kathleen Hanna, Kathi Wilcox, Kenny Mellman, Christopher Carmine Covelli, Sara Landeau) and Allison Crutchfield & the Fizz. Mecca Normal’s set included the recent “I’m Still Here” with the line “Feminism was not a phase or a failed experiment” which was spine-tingling to be playing in Portland on the night of the third debate.
26. Being wowed by Jean’s large painting, “Standing Standing Rock Water Protectors” which was inspired by events near the Standing Rock Sioux Reservation where activists are blocking construction of a pipeline on sacred burial grounds.
27. Being interviewed by Sheryl MacKay on CBC – North by Northwest about “Drawn to Change: Graphic Histories of Working-Class Struggle”.
28. “Jean Smith and David Lester taught me so much about the interplay of one instrument (in their case David’s guitar) and a vocal. Their synergy is something I have always been thrilled by. The amount of energy and noise they make with just two people is completely inspiring to me.” – Kenny Mellman, The Julie Ruin
29. Getting an email from director/producer Bill Jersey (two time Academy Award nominee and Peabody.winner) telling me he would keep me in mind for any future film work.
30. Jesse Miller’s Portland-based eloquent daily online comic “Life and How to Live It” featuring Mecca Normal performing “We Are Here”.
31. Designing a CD package for Brooke Lydbrooke (ex-singer of The Moral Lepers etc).
32. “I love this song so much” – Kate Nash on Mecca Normal’s “I Walk Alone”. Nash was named Best British Female Artist at the 2008 Brit Awards. Her hit song on YouTube has 10 million plays.
33. Allison Wolfe (Sex Stains, ex-Bratmobile) list of songs that comforted, emboldened, and defined her across the last 46 years included Mecca Normal’s Strong White Male.
34. The Tyee runs an excerpt of my comic from “Drawn to Change: Graphic Histories of Working-Class Struggle”.
34.”Their music is still as relevant as it was 25 years ago when I first saw them. It makes me happy that their music is still relevant because they’re doing it better than ever. And their new songs are so fucking great and hilarious.” – Kathleen Hanna, The Julie Ruin on Mecca Normal
35. “When I was 15, I would listen to Mecca Normal’s “I Walk Alone” every day as I maneuvered the desolate and lonely 10 blocks between the bus stop and my house. This was the year I began to learn the intricacies of girlhood, soundtracked by riot grrrl bands, fresh to my previously pop-occupied ears. Jean Smith’s politicized lyrics and occasionally grating singing style created alluring discomfort—Mecca Normal empowered girls to be angry and critical. Their refusal to assimilate or soften their message makes them a truly foundational feminist punk group, and one whose voice is still desperately needed.” – Emma Burke (Portland Mercury)
Surely that is enough for one year!!!!!