Video: Held

Jean Smith vocals. David Lester guitar at Chicago’s Lounge Ax in the mid-1990s. “Held” is from “Dovetail” (K Records, 1992).

Held

You’d be surprised alright
where you could be held
there
pinned in an updraft
back against the clouds

Holding sirens’ rage
on a tangle pain
you didn’t know was there
you didn’t know it was there

Gridwork set up for your wing on rise
to place
where you will be held
back against the light

Hammer on, hammer on
towards never getting back
never getting back
hammer on
hammer on

 

 

 

 

 

 

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Video: This Machine (cover)

West Coast Chalice: Karl Blau, Brian Tottenham, Braydn Krueger, Doug Cassidy, and Jesse.

The original version of “This Machine” is from “Dovetail” (K Records, 1992).

This Machine

Making it anything
so it isn’t nothing now
I am touching at the future
with a tin edge hollow stamp

I wove the spin of endurance
knots hanging in black twine
jarred up on a plank shelf
oiled to a (dull) shine

I am wanting (watching)
I am wishing
for wind
to knock this stillness out

Making it anything
so it isn’t nothing now

Screaming on track
pounding up loud
dreaming down pipe on a sigh
sifting on freight tight
this machine rides

Making it anything
so it isn’t nothing

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Music That I Like – Everett True

Song of the day (the old and the new) – 11. Little Mix and Mecca Normal

“I love the passion, the intent of Mecca Normal. The searing literacy. The relentless beauty. The admittance that most all relationships are always power struggles, especially when you least expect it. Crudely, three of my favourite artists remind me of Mecca Normal (not the other way round). That’s a recommendation in itself. The dialogue present in every Mecca Normal song I have heard is worth experiencing again and again. It does not infantilise the listener, much as the listener may want to be infantalised. It does not cause the listener to cast aside the class struggle that is central to day-to-day life, whether individuals are aware of it or not.” – Evertt True

 

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VIDEO: Orange Sunset

“Orange Sunset” from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

Orange Sunset

This sunset spreads orange
across the sky
a lid pressing down

In Grand Central Station
pickpockets look for tourist eyes

I am more obvious –
white female
ambassador of lust

He said,
“Come with me
I know
you like to suck and fuck.”

Orange sunset
a lid pressing down

 

 

 

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VIDEO: The Dogs

“The Dogs” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

The Dogs

My thoughts are chased my dogs
trapped in Instamatic snapshots
their eyes are red in the night
I can see into their mouths
past the teeth
past the teeth

I’m at home in the strangest places
but the sea is just pounding water
trying to get revenge
trying to get revenge

The dogs are barking
running towards me
through a roll of twenty-four exposures

The dogs have questions for me
I don’t know what they are

On the train I heard the sea on the tracks
roaring in a straight line
away from me
away from me

Stop it with the gun
Stop it with the gun
was a philosophy of hers
more than a request
but right now she’d like the kid to quit it
he has a sound-equipped machine gun
pointed at her head
pointed at her head

The dogs have been measured out to me

Some of the snapshots have one big dog
some of the snapshots have two dogs
some of the snapshots have three dogs
I don’t know how many dogs there are
more than three
more the ones my flashcube illuminates

The dogs have questions for me
The dogs have questions for me

Dogs don’t mince words

 

 

 

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VIDEO: Lois Wrote About the Farm

“Lois Wrote About the Farm” by Mecca Normal from “Water Cuts My Hands”(K Records, 1991). Jean Smith vocals. David Lester guitar. Painting by Jean Smith.

“Lois Wrote About the Farm”

America has named its chickens.
Two of them are called The Twins.

America strings its words together neatly;
it is hiding something big.

The check-out girl says she can’t quit smoking.
She’d have nothing else to do.

America, instigator of The Dream.
In my mind my body aches.

 

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VIDEO: Dead Bird’s Feet

“Dead Bird’s Feet” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith.

Dead Bird’s Feet

Dead bird’s feet
mounted on the wall
they don’t have a right side up
they don’t have an up side down
they were something else
now they’re on the wall
on the wall

Wanting conflict to be neat
we name the opposition
forever it will be the things they do
that are wrong
that are wrong

Men hate women
making it easy for women to hate men
women hate men
making it easy for men to hate women
men to hate women

We are handing out stiff starched pajamas
to sex offenders
in concrete halls

We are wincing and creating opinion
slamming steel doors
and turning in the breeze
in the breeze

of right and wrong
of right and wrong
outside where air is pure
air is pure
air is pure

Right and wrong
outside
outside where air is pure
air is pure

 

 

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VIDEO: Not Standing Still

“Not Standing Still” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar.

 

Not Standing Still

You might say,
“Why do I fight?
Change won’t happen.”

Well, not overnight.

Why do you think
we’re standing still?

We’re not standing still.

Change will happen.
Oh yes, it will.

 You might say,
“We’re standing still.”

 We’re not standing still.

 

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VIDEO: Water in a Bucket

“Water in a Bucket” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith

Images: Stock footage from Prelinger Archives. Flint faucet. Mecca Normal performing in Holland 1994 — using the visual portion of footage at Fast Forward Festival, Nijmegen. Direction and editing Remko Dekker. Cameras Bart de Keulenaar, Wilmer Hendriks, Remko Dekker.

Water in a Bucket

La la la my my my la la la my my my

Water in a bucket

down the street

You carry your water in a bucket down the street

La la la my my my la la la my my my

You carry your water too

in a North American city

in a North American street

Where the dream started

it started without you

I wanna get out of this dream

nightmare

I wanna climb out of this dream

this dream
this nightmare
nightmare

nightmare

It’s no dream

nightmare
nightmare
I wanna get out of this dream

nightmare

The dream started without you

It’s no dream

La la la my my my la la la my my my

 

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PopCon

SEATTLE Museum of Popular Culture (formerly EMP) Saturday, April 22, 2017, 5:15 p.m. – 6:00 p.m.

16 minute film by Jean Smith for PopCon 2017, introduced by Evelyn McDonnell (Associate Professor of Journalism and New Media and Interim Director of Journalism at Loyola Marymount University in LA).

PopCon 2017 theme is music and politics.

The annual EMP Pop Conference, first held in 2002, mixes together ambitious music discourse of every kind in an attempt to bring academics, critics, musicians, and dedicated fans into a collective conversation.

Jean 1

Jean 2

Stills from the film. Jean Smith performing “The Dogs” outside Pages Books on Queen Street in Toronto circa 1993. Jean Smith being interviewed by Much Music inside Pages, talking about feminism and the increase of women in bands.

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