Category Archives: Albums and 7″s

CKUT interview

Download or listen to the podcast of this broadcast here (available for 6-8 weeks after broadcast date). If the podcast doesn’t run smoothly (or disappears) I made a YouTube video of it using random Mecca Normal-related footage.

David Lester Mecca Normal

Jean Smith Mecca Normal CKUT

This is Vince Tinguely’s last ever show on CKUT in Montreal! He’s been on the air every Tuesday since 1995… is that even possible? What a great time talking with him for TWO hours this morning (now that’s a proper interview!) interspersed with tracks from our new album Mecca Normal LIVE in Montreal, 1996 (Artoffact Records, 2019).

VIDEO: CKUT interview audio mash-up with Mecca Normal footage.

NEW ALBUM: LIVE in Montreal, 1996 from the Brave New Waves Sessions series on Artoffact Records, 2019

Recorded live in 1996 for broadcast on iconic CBC radio show Brave New Waves.
Jean Smith – vocals
David Lester – guitar
Peter Jefferies – drums

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The Best Punk on Bandcamp: April 2019

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“Experimental duo Mecca Normal have never followed trends. Their output over the course of their 30+ year career has centered around David Lester’s expressive guitar and Jean Smith’s fearlessness, both in thematic content and in vocal delivery. Which is what makes Brave New Waves an important part of their discography—not only is it the band’s first live album, it also features Peter Jefferies, who played with Mecca Normal briefly in the 1990s, on drums. Recorded in 1996 for broadcast on a now-defunct CBC radio program, the songs hit just as hard today as they likely did back then.

The seven-minute long mashup of “Man Thinks Woman,” “Strong White Male,” and “I Walk Alone,” three powerful feminist anthems, is particularly noteworthy. Over Lester’s defiant, and at times repetitive, guitar, Smith riffs on the white male patriarchy and the power of a woman walking alone through city streets. During live shows, Smith often leaves the stage during “I Walk Alone,” walking through the crowd and ad-libbing without a mic; on this record, we hear her do just that, her voice trailing off, while Lester plays a walking blues-ish guitar line. But it’s all a feint—a few seconds later, she comes back with a bang, growling: “Because it’s my right to walk anywhere, at any time of day, in any city, wearing whatever the fuck I want to / I walk alone.” It’s no wonder the Vancouver band served as an inspiration to the women who would go on to form Bikini Kill.” – Kerry Cardoza, BandCamp

LISTEN/BUY

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“Rose” and “Days”

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“Rose” and “Days” (K Records, IPU-032) cover art by Jean Smith

“This beauty spreads. Feel it. Two concise song sketches, “Rose” and “Days”, in the inimitable Mecca Normal style that celebrate life in all of its sublime, melancholy and emotional power.” – K Records

IPU

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Amazon Reviews of “Jarred Up”

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Amazon reviews Jarred Up

5.0 out of 5 stars
Thanks for looking it up. NOW BUY IT !
Bymonkeypapaon December 4, 1999
Format: Audio CD
If you have heard Mecca Normal then briefly this is my favorite, a compilation of early singles (in other words no drums). Includes Strong White Male (the greatest song ever IMHO). Generally follows a Heavy – Mellow – Heavy – Mellow pattern as far as song selection.
If you have never heard Mecca Normal, the closest approximation would be an 80’s era MaryAnne Faithful vocals cackling ultra-feminist lyrics over a hyperactive Billy Braggish rhythmic electric guitar backing. And I mean this in the best possible way. If you truly like your music independent and sort of difficult, this is a good purchase.
5.0 out of 5 stars
One of the best post-punk albums of all time
ByScience Experimentson
April 13, 2011
Highly, highly recommend this album. If you like Billy Bragg at his best, this album is guaranteed to blow you away. If you like the Clash/Stummer, Bob Dylan or any guitar intensive punk/rock, give this a try.
I gave a friend this album and he spent an afternoon walking around NYC with the album in his ears — he still talks about. There’s a performance assignment for all you Amazonians.
Give this wonderful little gem a try!

Video: This is Different

Turns out Gina Birch of the Raincoats loves this song! As a huge fan of the Raincoats, this is really exciting! She asked me what the music was (on FaceBook) in a video of my currently available paintings, so I listed all five songs and she said she hadn’t gotten past the first one, that she’d been playing it over and over. I got her email address and sent her the mp3. In our brief email exchange, she said she loves my paintings — says she’s gonna buy one! I’m not gonna try and hide my excitement here! The Raincoats are hugely important to the formation of Mecca Normal. It’s hard to imagine what we’d be doing if the Raincoats’ records weren’t around in 1984 or so, and much earlier for Dave who lived in London in the very early 80s and knew of them then.

It’s an added thrill that I play cymbal on this song. This is the recording session that Kathleen and Billy (of Bikini Kill) dropped by. We were in the basement of the ABC house in Olympia, recording with Pat Maley. Kathleen and I sang something together, but it didn’t go that well. I was in the bathroom as an isolation booth and I didn’t have any lyrics. There was a bottle of Gold Bond powder on the window ledge so I started singing about “the final days of the gold bond” and for at least a few minutes the “band” was gonna be called Mandarin Atomizer until someone mentioned it sounded like an atom bomb in an Asiatic country, and that was that.

Also, I’m not sure which is weirder. Either I mention that Mecca Normal were total rock stars at this time, and that Kathleen and Billy arrived as fans (and friends) or I don’t mention it. Too late.

“This is Different” from a 3-song 7″ on K Records, Vol. XXVII in the International Pop Underground Series, and Jarred Up, an LP compilation of 7″ records (K Records, 1993).

Jean Smith’s $100 USD paintings (11 x 14″ acrylic on canvas panel) from October 19th back to the beginning of the series (January 7, 2016).

“First, oh my word I love these portraits {acrylic on canvas panel} so, so, so much. Second, Canadian rocker turned painter Jean Smith sells these paintings on Facebook for $100 a pop. WHAT? Yes, true story. Are you wondering what you’re still doing here and why you’re not over there buying a whole bunch of these 11×14 beauties? Me too. Here you go… Jean’s Facebook page. You’re welcome.” – The Jealous Curator review 09/17

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Pat Maley, Kathleen and Billy at the Mecca Normal recording session that included “This is Different”

 

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Review: Butt Rag #7

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Review by Peter Margasak (Editor) Butt Rag #7 (October 1991)

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Live album out March 22, 2019

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Mecca Normal live in Montreal (1996) album (LP, CD, extra tracks on BandCamp) will be released in early 2019.

2017: Dave found the tape last week and we took it into a studio yesterday to listen to it. Finally, a live album from that era, and it sounds incredible. Until now, not releasing a mid-90s Mecca Normal performance has been one of my biggest regrets.6878

LP tracks

1. Water Cuts My Hands
2. Prize Arm
3. Don’t Shoot
4. Tower Island
5. Revival of Cruelty
6. The Dogs
7. Drive At / Peach-a-Vanilla
8. Ribbon
9. Man Thinks Woman / Strong White Male / I Walk Alone
10. Armchairs Fit through Doorways
11. Are You Hungry Joe?

Rough mix

 

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7″ record covers

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Cardboard Box House of Love 7″ (K Records, 1990) art by Jean Smith

Malachi (K) 2010,Paris In April (K) 1996, The Bird That Wouldn’t Fly (Matador) 1995, Echo (Jettison) 1993, Rose (K)…

Posted by Mecca Normal on Saturday, May 11, 2013

All Mecca Normal 7″ covers

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RATE YOUR MUSIC

Comments on Mecca Normal albums on RATE YOUR MUSIC website:

Dovetail (K Records, 1992)
“It’s disgraceful that this record only has 23 ratings–not even enough to chart it here at RYM. One of the greatest records of the late 80s/early 90s K-Records scene … before “indie” existed properly, in the immediate wake of the Nirvana hype. This album–probably the band’s best–mixes rhythmically-driven (all from the guitar) pieces that have a punk-rock edge with ballad-like, slow pieces. It’s remarkable in its balancing of these modes (sometimes within a single song). Beautiful stuff. Search it out. Now!” – denti, 2012

“The perfect Mecca Normal album. Throw Silver and Clatter make the hair on the back of my neck stand on end. This band is largely ignored by most supposed “indie” listeners and they’ve been doing for almost thirty years. Consistent as hell and never boring. This record is solid gold.” mortytoad, 2009

Water Cuts My Hands (K Records, 1991)
David Lester is one of the unsung greatest guitarists. He is incredibly inventive with the little he plays (a few chords, no solos) and makes his guitar sound so raw and real and right there with you. I love it. This record is fantastic, though not consistently so. Still one of the best places to start with this great band. The CD comes with the 1988 record “Calico Kills the Cat,” also worth repeated listens. “Taking the Back Stairs,” “Dead Bird’s Feet” and “Lois Wrote About the Farm” are among the band’s best.” denti, 2011

Sitting on Snaps (Matador, 1995)
The beginning and end of this album are brilliant. Like Concrete Blonde meets Lush with a sprinkling of Siouxsie, but also no drums, like, on any song ever. Yes, this is a drumless band. Sometimes that’s a good thing, sometimes not… just layers of guitar and voice, but not too many layers. There’s some minimalism going on here too.” Sukwtto, 2011

 

 

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Sex Stains’ Allison Wolfe in Pitchfork

Sex Stains’ Allison Wolfe (formerly of Riot Grrrl band Bratmobile) describes moving from Olympia to DC in the 90s in a new Pitchfork feature on music that has mattered to her.

“I brought all my records over, including this one 7″ by Mecca Normal, this band from Vancouver that was very influential in the Olympia music scene. “Strong White Male” was an anthem of mine. I would play it all the time because all of a sudden I was surrounded by a lot of strong white males who were too entitled, who had grown up with a lot more money than a lot of the Olympia girls. It talks about that privilege that’s invisible to the people who possess it but painfully obvious to the people who don’t.” – Allison Wolfe

Video by David Lester

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