Tag Archives: K Records

7″ record covers

cardboard

Cardboard Box House of Love 7″ (K Records, 1990) art by Jean Smith

Malachi (K) 2010,Paris In April (K) 1996, The Bird That Wouldn’t Fly (Matador) 1995, Echo (Jettison) 1993, Rose (K)…

Posted by Mecca Normal on Saturday, May 11, 2013

All Mecca Normal 7″ covers

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Video: Held

Jean Smith vocals. David Lester guitar at Chicago’s Lounge Ax in the mid-1990s. “Held” is from “Dovetail” (K Records, 1992).

Held

You’d be surprised alright
where you could be held
there
pinned in an updraft
back against the clouds

Holding sirens’ rage
on a tangle pain
you didn’t know was there
you didn’t know it was there

Gridwork set up for your wing on rise
to place
where you will be held
back against the light

Hammer on, hammer on
towards never getting back
never getting back
hammer on
hammer on

 

 

 

 

 

 

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Video: This Machine (cover)

West Coast Chalice: Karl Blau, Brian Tottenham, Braydn Krueger, Doug Cassidy, and Jesse.

The original version of “This Machine” is from “Dovetail” (K Records, 1992).

This Machine

Making it anything
so it isn’t nothing now
I am touching at the future
with a tin edge hollow stamp

I wove the spin of endurance
knots hanging in black twine
jarred up on a plank shelf
oiled to a (dull) shine

I am wanting (watching)
I am wishing
for wind
to knock this stillness out

Making it anything
so it isn’t nothing now

Screaming on track
pounding up loud
dreaming down pipe on a sigh
sifting on freight tight
this machine rides

Making it anything
so it isn’t nothing

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VIDEO: Orange Sunset

“Orange Sunset” from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

Orange Sunset

This sunset spreads orange
across the sky
a lid pressing down

In Grand Central Station
pickpockets look for tourist eyes

I am more obvious –
white female
ambassador of lust

He said,
“Come with me
I know
you like to suck and fuck.”

Orange sunset
a lid pressing down

 

 

 

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VIDEO: The Dogs

“The Dogs” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

The Dogs

My thoughts are chased my dogs
trapped in Instamatic snapshots
their eyes are red in the night
I can see into their mouths
past the teeth
past the teeth

I’m at home in the strangest places
but the sea is just pounding water
trying to get revenge
trying to get revenge

The dogs are barking
running towards me
through a roll of twenty-four exposures

The dogs have questions for me
I don’t know what they are

On the train I heard the sea on the tracks
roaring in a straight line
away from me
away from me

Stop it with the gun
Stop it with the gun
was a philosophy of hers
more than a request
but right now she’d like the kid to quit it
he has a sound-equipped machine gun
pointed at her head
pointed at her head

The dogs have been measured out to me

Some of the snapshots have one big dog
some of the snapshots have two dogs
some of the snapshots have three dogs
I don’t know how many dogs there are
more than three
more the ones my flashcube illuminates

The dogs have questions for me
The dogs have questions for me

Dogs don’t mince words

 

 

 

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VIDEO: Lois Wrote About the Farm

“Lois Wrote About the Farm” by Mecca Normal from “Water Cuts My Hands”(K Records, 1991). Jean Smith vocals. David Lester guitar. Painting by Jean Smith.

“Lois Wrote About the Farm”

America has named its chickens.
Two of them are called The Twins.

America strings its words together neatly;
it is hiding something big.

The check-out girl says she can’t quit smoking.
She’d have nothing else to do.

America, instigator of The Dream.
In my mind my body aches.

 

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VIDEO: Dead Bird’s Feet

“Dead Bird’s Feet” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith.

Dead Bird’s Feet

Dead bird’s feet
mounted on the wall
they don’t have a right side up
they don’t have an up side down
they were something else
now they’re on the wall
on the wall

Wanting conflict to be neat
we name the opposition
forever it will be the things they do
that are wrong
that are wrong

Men hate women
making it easy for women to hate men
women hate men
making it easy for men to hate women
men to hate women

We are handing out stiff starched pajamas
to sex offenders
in concrete halls

We are wincing and creating opinion
slamming steel doors
and turning in the breeze
in the breeze

of right and wrong
of right and wrong
outside where air is pure
air is pure
air is pure

Right and wrong
outside
outside where air is pure
air is pure

 

 

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RATE YOUR MUSIC

Comments on Mecca Normal albums on RATE YOUR MUSIC website:

Dovetail (K Records, 1992)
“It’s disgraceful that this record only has 23 ratings–not even enough to chart it here at RYM. One of the greatest records of the late 80s/early 90s K-Records scene … before “indie” existed properly, in the immediate wake of the Nirvana hype. This album–probably the band’s best–mixes rhythmically-driven (all from the guitar) pieces that have a punk-rock edge with ballad-like, slow pieces. It’s remarkable in its balancing of these modes (sometimes within a single song). Beautiful stuff. Search it out. Now!” – denti, 2012

“The perfect Mecca Normal album. Throw Silver and Clatter make the hair on the back of my neck stand on end. This band is largely ignored by most supposed “indie” listeners and they’ve been doing for almost thirty years. Consistent as hell and never boring. This record is solid gold.” mortytoad, 2009

Water Cuts My Hands (K Records, 1991)
David Lester is one of the unsung greatest guitarists. He is incredibly inventive with the little he plays (a few chords, no solos) and makes his guitar sound so raw and real and right there with you. I love it. This record is fantastic, though not consistently so. Still one of the best places to start with this great band. The CD comes with the 1988 record “Calico Kills the Cat,” also worth repeated listens. “Taking the Back Stairs,” “Dead Bird’s Feet” and “Lois Wrote About the Farm” are among the band’s best.” denti, 2011

Sitting on Snaps (Matador, 1995)
The beginning and end of this album are brilliant. Like Concrete Blonde meets Lush with a sprinkling of Siouxsie, but also no drums, like, on any song ever. Yes, this is a drumless band. Sometimes that’s a good thing, sometimes not… just layers of guitar and voice, but not too many layers. There’s some minimalism going on here too.” Sukwtto, 2011

 

 

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Pitchfork’s story of feminist punk in 33 songs

pitchforkMecca Normal‘s “Man Thinks Woman” (1987) made the cut with a great write-up by Douglas Wolk for Pitchfork’s story of feminist punk in 33 songs

“Mecca Normal break rules like they never noticed them in the first place. The Vancouver-based duo of singer Jean Smith and guitarist David Lester are anarchist-feminist activists and constant experimentalists, implying a rhythm section with negative space alone. Always an intense presence onstage, they’ve become the most tenacious of D.I.Y. road warriors, touring and recording for 32 years now. In the early ’90s, they popped up on most of the biggest American indie-rock labels (Sub Pop, K, Matador); by their 25th anniversary, they were on the road with a performance-and-lecture project called “How Art & Music Can Change the World.”

Smith’s lyrics often foreground her political perspective; their anthem “Man Thinks ‘Woman,’” released in 1987, started out as a barbed dissection of gender normativity: “Man thinks ‘woman’ when he talks to me/Something not quite right.” The song kept expanding its radius from there, encompassing both bitter poetics and a disarmingly funny account of a drunken makeout gone weird. Kathleen Hanna has cited Smith as an early inspiration: “When I saw her,” she told The Fader, “I was just like, that’s it. I’m done. I’m sold.” –Douglas Wolk

“Man Thinks Woman” video by David Lester

Oh%20Yes%20you%20Can!

“Oh Yes You Can” 7″ on K Records (1987)

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Jarred Up” compilation of singles on K Records (1993)

A mess of Mecca Normal songs pulled together from singles and compilations dating to 1992, rounding out the first eight years of their existence. Dunt fear, Mecca Normal are still going strong! Jarred Up reveals the awesome might of their thing; it is the essential Mecca Normal Document.

A K Records Essential.

Track Listing
Strong White Male
Man Thinks Woman
Forlorn
He Didn’t Say
Follow Down
It’s Important
How Many Now?
Horse Heaven Hills
This Is Different
Armchairs Fit
Accidently
You Heard It All
Days
Fan of Sparks
Narrow
Upside Down Flames
From The Surface
More More More
Echo
One More Safe
Rose

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2014 Whitney Biennial Installation

Whitney installation

Whitney installation 2

It’s installation day at the Whitney Museum of American Art in New York City. The 2014 Whitney Biennial opens next week. David and I are excited to have our work included in this major exhibition.

Thanks to Public Collectors’ Marc Fischer for sending photos and stories from inside the Whitney!

Public Collectors’ participation in the Whitney Biennial focuses on the life and work of Malachi Ritscher, who recorded several thousand concerts from the 1980s until 2006.

It’s a total thrill to see the Mecca Normal 7″ and the photo Malachi took of us at the Empty Bottle after he recorded our set in Chicago in 2002. Our set — and a small portion of the music he recorded over the years that he was meticulously documenting the live music scene in Chicago — is available via an iPod mounted on the museum wall. A short piece I wrote about Malachi is included in the official biennial catalog and in the booklet that Public Collectors has published.

David Lester’s poster “Malachi” will be framed and hanging on the wall. The poster features a drawing Malachi Ritscher at an anti-war rally, holding a sign that says “Unjustified War is Mass Murder.”

Malachi’s final act of protest was self-immolation. He intended for a video document of his death, his protest, to be widely distributed by the mainstream media to impact the American people. This did not happen. In part, I wrote the song “Malachi” to further Malachi’s intention, to use art and music to carry his message forward. The song was also a reaction to Malachi’s death, a death devised to be much more powerful to many more people. At some point, I suggested that David include Malachi in his ongoing Inspired Agitators poster series to exhibit and discuss in our touring classroom event called “How Art and Music Can Change the World” within which Mecca Normal performs “Malachi” after talking about his death, the video and how artists may choose to represent profound social, political and personal content in their work.

“If I am required to pay for your barbaric war, I choose not to live in your world. I refuse to finance the mass murder of innocent civilians, who did nothing to threaten our country. I will not participate in your charade — my conscience will not allow me to be a part of your crusade.” – Malachi Ritscher, 2006

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