Tag Archives: K Records

Video: This is Different

Turns out Gina Birch of the Raincoats loves this song! As a huge fan of the Raincoats, this is really exciting! She asked me what the music was (on FaceBook) in a video of my currently available paintings, so I listed all five songs and she said she hadn’t gotten past the first one, that she’d been playing it over and over. I got her email address and sent her the mp3. In our brief email exchange, she said she loves my paintings — says she’s gonna buy one! I’m not gonna try and hide my excitement here! The Raincoats are hugely important to the formation of Mecca Normal. It’s hard to imagine what we’d be doing if the Raincoats’ records weren’t around in 1984 or so, and much earlier for Dave who lived in London in the very early 80s and knew of them then.

It’s an added thrill that I play cymbal on this song. This is the recording session that Kathleen and Billy (of Bikini Kill) dropped by. We were in the basement of the ABC house in Olympia, recording with Pat Maley. Kathleen and I sang something together, but it didn’t go that well. I was in the bathroom as an isolation booth and I didn’t have any lyrics. There was a bottle of Gold Bond powder on the window ledge so I started singing about “the final days of the gold bond” and for at least a few minutes the “band” was gonna be called Mandarin Atomizer until someone mentioned it sounded like an atom bomb in an Asiatic country, and that was that.

Also, I’m not sure which is weirder. Either I mention that Mecca Normal were total rock stars at this time, and that Kathleen and Billy arrived as fans (and friends) or I don’t mention it. Too late.

“This is Different” from a 3-song 7″ on K Records, Vol. XXVII in the International Pop Underground Series, and Jarred Up, an LP compilation of 7″ records (K Records, 1993).

Jean Smith’s $100 USD paintings (11 x 14″ acrylic on canvas panel) from October 19th back to the beginning of the series (January 7, 2016).

“First, oh my word I love these portraits {acrylic on canvas panel} so, so, so much. Second, Canadian rocker turned painter Jean Smith sells these paintings on Facebook for $100 a pop. WHAT? Yes, true story. Are you wondering what you’re still doing here and why you’re not over there buying a whole bunch of these 11×14 beauties? Me too. Here you go… Jean’s Facebook page. You’re welcome.” – The Jealous Curator review 09/17

Kathleen Billy Pat 400
Pat Maley, Kathleen and Billy at the Mecca Normal recording session that included “This is Different”

 

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Review: Butt Rag #7

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Review by Peter Margasak (Editor) Butt Rag #7 (October 1991)

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7″ record covers

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Cardboard Box House of Love 7″ (K Records, 1990) art by Jean Smith

Malachi (K) 2010,Paris In April (K) 1996, The Bird That Wouldn’t Fly (Matador) 1995, Echo (Jettison) 1993, Rose (K)…

Posted by Mecca Normal on Saturday, May 11, 2013

All Mecca Normal 7″ covers

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Video: Held

Jean Smith vocals. David Lester guitar at Chicago’s Lounge Ax in the mid-1990s. “Held” is from “Dovetail” (K Records, 1992).

Held

You’d be surprised alright
where you could be held
there
pinned in an updraft
back against the clouds

Holding sirens’ rage
on a tangle pain
you didn’t know was there
you didn’t know it was there

Gridwork set up for your wing on rise
to place
where you will be held
back against the light

Hammer on, hammer on
towards never getting back
never getting back
hammer on
hammer on

 

 

 

 

 

 

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Video: This Machine (cover)

West Coast Chalice: Karl Blau, Brian Tottenham, Braydn Krueger, Doug Cassidy, and Jesse.

The original version of “This Machine” is from “Dovetail” (K Records, 1992).

This Machine

Making it anything
so it isn’t nothing now
I am touching at the future
with a tin edge hollow stamp

I wove the spin of endurance
knots hanging in black twine
jarred up on a plank shelf
oiled to a (dull) shine

I am wanting (watching)
I am wishing
for wind
to knock this stillness out

Making it anything
so it isn’t nothing now

Screaming on track
pounding up loud
dreaming down pipe on a sigh
sifting on freight tight
this machine rides

Making it anything
so it isn’t nothing

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VIDEO: Orange Sunset

“Orange Sunset” from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

Orange Sunset

This sunset spreads orange
across the sky
a lid pressing down

In Grand Central Station
pickpockets look for tourist eyes

I am more obvious –
white female
ambassador of lust

He said,
“Come with me
I know
you like to suck and fuck.”

Orange sunset
a lid pressing down

 

 

 

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VIDEO: The Dogs

“The Dogs” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Video and paintings by Jean Smith.

The Dogs

My thoughts are chased my dogs
trapped in Instamatic snapshots
their eyes are red in the night
I can see into their mouths
past the teeth
past the teeth

I’m at home in the strangest places
but the sea is just pounding water
trying to get revenge
trying to get revenge

The dogs are barking
running towards me
through a roll of twenty-four exposures

The dogs have questions for me
I don’t know what they are

On the train I heard the sea on the tracks
roaring in a straight line
away from me
away from me

Stop it with the gun
Stop it with the gun
was a philosophy of hers
more than a request
but right now she’d like the kid to quit it
he has a sound-equipped machine gun
pointed at her head
pointed at her head

The dogs have been measured out to me

Some of the snapshots have one big dog
some of the snapshots have two dogs
some of the snapshots have three dogs
I don’t know how many dogs there are
more than three
more the ones my flashcube illuminates

The dogs have questions for me
The dogs have questions for me

Dogs don’t mince words

 

 

 

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VIDEO: Lois Wrote About the Farm

“Lois Wrote About the Farm” by Mecca Normal from “Water Cuts My Hands”(K Records, 1991). Jean Smith vocals. David Lester guitar. Painting by Jean Smith.

“Lois Wrote About the Farm”

America has named its chickens.
Two of them are called The Twins.

America strings its words together neatly;
it is hiding something big.

The check-out girl says she can’t quit smoking.
She’d have nothing else to do.

America, instigator of The Dream.
In my mind my body aches.

 

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VIDEO: Dead Bird’s Feet

“Dead Bird’s Feet” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith.

Dead Bird’s Feet

Dead bird’s feet
mounted on the wall
they don’t have a right side up
they don’t have an up side down
they were something else
now they’re on the wall
on the wall

Wanting conflict to be neat
we name the opposition
forever it will be the things they do
that are wrong
that are wrong

Men hate women
making it easy for women to hate men
women hate men
making it easy for men to hate women
men to hate women

We are handing out stiff starched pajamas
to sex offenders
in concrete halls

We are wincing and creating opinion
slamming steel doors
and turning in the breeze
in the breeze

of right and wrong
of right and wrong
outside where air is pure
air is pure
air is pure

Right and wrong
outside
outside where air is pure
air is pure

 

 

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RATE YOUR MUSIC

Comments on Mecca Normal albums on RATE YOUR MUSIC website:

Dovetail (K Records, 1992)
“It’s disgraceful that this record only has 23 ratings–not even enough to chart it here at RYM. One of the greatest records of the late 80s/early 90s K-Records scene … before “indie” existed properly, in the immediate wake of the Nirvana hype. This album–probably the band’s best–mixes rhythmically-driven (all from the guitar) pieces that have a punk-rock edge with ballad-like, slow pieces. It’s remarkable in its balancing of these modes (sometimes within a single song). Beautiful stuff. Search it out. Now!” – denti, 2012

“The perfect Mecca Normal album. Throw Silver and Clatter make the hair on the back of my neck stand on end. This band is largely ignored by most supposed “indie” listeners and they’ve been doing for almost thirty years. Consistent as hell and never boring. This record is solid gold.” mortytoad, 2009

Water Cuts My Hands (K Records, 1991)
David Lester is one of the unsung greatest guitarists. He is incredibly inventive with the little he plays (a few chords, no solos) and makes his guitar sound so raw and real and right there with you. I love it. This record is fantastic, though not consistently so. Still one of the best places to start with this great band. The CD comes with the 1988 record “Calico Kills the Cat,” also worth repeated listens. “Taking the Back Stairs,” “Dead Bird’s Feet” and “Lois Wrote About the Farm” are among the band’s best.” denti, 2011

Sitting on Snaps (Matador, 1995)
The beginning and end of this album are brilliant. Like Concrete Blonde meets Lush with a sprinkling of Siouxsie, but also no drums, like, on any song ever. Yes, this is a drumless band. Sometimes that’s a good thing, sometimes not… just layers of guitar and voice, but not too many layers. There’s some minimalism going on here too.” Sukwtto, 2011

 

 

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