Tag Archives: Mecca Normal

7″ record covers

cardboard

Cardboard Box House of Love 7″ (K Records, 1990) art by Jean Smith

Malachi (K) 2010,Paris In April (K) 1996, The Bird That Wouldn’t Fly (Matador) 1995, Echo (Jettison) 1993, Rose (K)…

Posted by Mecca Normal on Saturday, May 11, 2013

All Mecca Normal 7″ covers

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Video: In January (long, 2003)

The long version of “In January” from the Janis Zeppelin CD (Smarten Up! Records, 2003) with paintings by Jean Smith.

Carl Wilson’s Globe and Mail review of the shorter version on The Family Swan (2002)

A new protest song is blowin’ in the wind

February 20, 2003

Today’s protest soundtracks require impromptu cacophony and knife fights with broken mirrors. Here’s 10 to march to, but not in formation.

7. Mecca Normal, In January ( The Family Swan, Kill Rock Stars): The veteran Vancouver anarchist duo was prescient last year to name this tense, abstract piece for the time, months later, when the world’s nerve endings would really start to shred. The track captures singer Jean Smith’s and guitarist David Lester’s roiling intensity the way it sounds in small live rooms across the continent — this time with Smith’s stinging tone pushing from the inside against lips that seem almost to be sewn shut.

 

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Video: early recording (cover)

Sonny Boy Williamson (circa 1984)

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Video: Held

Jean Smith vocals. David Lester guitar at Chicago’s Lounge Ax in the mid-1990s. “Held” is from “Dovetail” (K Records, 1992).

Held

You’d be surprised alright
where you could be held
there
pinned in an updraft
back against the clouds

Holding sirens’ rage
on a tangle pain
you didn’t know was there
you didn’t know it was there

Gridwork set up for your wing on rise
to place
where you will be held
back against the light

Hammer on, hammer on
towards never getting back
never getting back
hammer on
hammer on

 

 

 

 

 

 

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Video: This Machine (cover)

West Coast Chalice: Karl Blau, Brian Tottenham, Braydn Krueger, Doug Cassidy, and Jesse.

The original version of “This Machine” is from “Dovetail” (K Records, 1992).

This Machine

Making it anything
so it isn’t nothing now
I am touching at the future
with a tin edge hollow stamp

I wove the spin of endurance
knots hanging in black twine
jarred up on a plank shelf
oiled to a (dull) shine

I am wanting (watching)
I am wishing
for wind
to knock this stillness out

Making it anything
so it isn’t nothing now

Screaming on track
pounding up loud
dreaming down pipe on a sigh
sifting on freight tight
this machine rides

Making it anything
so it isn’t nothing

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VIDEO: Lois Wrote About the Farm

“Lois Wrote About the Farm” by Mecca Normal from “Water Cuts My Hands”(K Records, 1991). Jean Smith vocals. David Lester guitar. Painting by Jean Smith.

“Lois Wrote About the Farm”

America has named its chickens.
Two of them are called The Twins.

America strings its words together neatly;
it is hiding something big.

The check-out girl says she can’t quit smoking.
She’d have nothing else to do.

America, instigator of The Dream.
In my mind my body aches.

 

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VIDEO: Dead Bird’s Feet

“Dead Bird’s Feet” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith.

Dead Bird’s Feet

Dead bird’s feet
mounted on the wall
they don’t have a right side up
they don’t have an up side down
they were something else
now they’re on the wall
on the wall

Wanting conflict to be neat
we name the opposition
forever it will be the things they do
that are wrong
that are wrong

Men hate women
making it easy for women to hate men
women hate men
making it easy for men to hate women
men to hate women

We are handing out stiff starched pajamas
to sex offenders
in concrete halls

We are wincing and creating opinion
slamming steel doors
and turning in the breeze
in the breeze

of right and wrong
of right and wrong
outside where air is pure
air is pure
air is pure

Right and wrong
outside
outside where air is pure
air is pure

 

 

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VIDEO: Not Standing Still

“Not Standing Still” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar.

 

Not Standing Still

You might say,
“Why do I fight?
Change won’t happen.”

Well, not overnight.

Why do you think
we’re standing still?

We’re not standing still.

Change will happen.
Oh yes, it will.

 You might say,
“We’re standing still.”

 We’re not standing still.

 

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VIDEO: Water in a Bucket

“Water in a Bucket” by Mecca Normal from “Water Cuts My Hands” (K Records, 1991). Jean Smith vocals. David Lester guitar. Directed by Jean Smith

Images: Stock footage from Prelinger Archives. Flint faucet. Mecca Normal performing in Holland 1994 — using the visual portion of footage at Fast Forward Festival, Nijmegen. Direction and editing Remko Dekker. Cameras Bart de Keulenaar, Wilmer Hendriks, Remko Dekker.

Water in a Bucket

La la la my my my la la la my my my

Water in a bucket

down the street

You carry your water in a bucket down the street

La la la my my my la la la my my my

You carry your water too

in a North American city

in a North American street

Where the dream started

it started without you

I wanna get out of this dream

nightmare

I wanna climb out of this dream

this dream
this nightmare
nightmare

nightmare

It’s no dream

nightmare
nightmare
I wanna get out of this dream

nightmare

The dream started without you

It’s no dream

La la la my my my la la la my my my

 

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PopCon

SEATTLE Museum of Popular Culture (formerly EMP) Saturday, April 22, 2017, 5:15 p.m. – 6:00 p.m.

16 minute film by Jean Smith for PopCon 2017, introduced by Evelyn McDonnell (Associate Professor of Journalism and New Media and Interim Director of Journalism at Loyola Marymount University in LA).

PopCon 2017 theme is music and politics.

The annual EMP Pop Conference, first held in 2002, mixes together ambitious music discourse of every kind in an attempt to bring academics, critics, musicians, and dedicated fans into a collective conversation.

Jean 1

Jean 2

Stills from the film. Jean Smith performing “The Dogs” outside Pages Books on Queen Street in Toronto circa 1993. Jean Smith being interviewed by Much Music inside Pages, talking about feminism and the increase of women in bands.

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